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At an Audioslave reunion gig to protest the Trump inauguration : "If somebody tries to grab your pussy in the pit," warned guitarist Tom Morello, riffing on the a notorious Trump comment, "it's your patriotic duty to break their fucking arm!" **** TELL IT, TOM!
Submitted by: IMPEACH TRUMP NOW!!!
I hate it when fans go, 'Who should I vote for?'" he says. "Why do you think rock stars would know any more than you do? We're rock stars; we're dumber than you." NOTE - Lyrically 'Elected' was originally inspired by Richard Nixon, who was running for reelection at the time. "I figured the only person that was more offensive than Nixon was me," he says. "So I figured 'Alice Cooper for President' was the right thing to do."
Submitted by: Don't Blame Me, I Voted For Alice Cooper!
It's still very difficult to talk about (voice breaking) We miss him so much. We decided that because of Kenny we would get back together. He always wanted us to get back together. It was great to play last night and we wish that Kenny was here.
Submitted by: Celeste
We try to be as clean cut as we can. No sex or violence to our sound at all.
Submitted by: Celeste
It's not that I wasn't challenged by rock; it's that I wanted to try something different.
Submitted by: Celeste
We were fed up with being the Beatles. We really hated that fucking four little mop-top approach. We were not boys, we were men ... and thought of ourselves as artists rather than just performers. - Paul McCartney on Sgt. Pepper We didn't really shove the LP full of pot and drugs but, I mean, there was an effect. We were more consciously trying to keep it out. You wouldn't say, "I had some acid, baby, so groovy," but there was a feeling that something had happened between Revolver and Sgt. Pepper - John Lennon We're not trying to outwit the public. The whole idea is to try a little bit to lead people into different tastes - George Harrison on Sgt. Pepper In Sgt. Pepper's intricate aural tapestry is the sound of four men rebelling against musical convention and, in doing so, opening wide the door for the sonic experimentation that launched hard rock, punk, metal, new wave, grunge and every other form of popular music that followed. – Christopher Scapelliti 2007
Submitted by: Beatle Baby
"Go fuck yourselves, the lot of you — you sad, attention-grabbing, power-hungry little men," R.E.M. front man Michael Stipe said (via bassist Mike Mills' Twitter page). "Do not use our music or my voice for your moronic charade of a campaign." The statement was in response to Donald Trump using one of the group's songs at a Washington, D.C. rally Wednesday afternoon. Trump and fellow presidential nominee Ted Cruz appeared together at the rally to lambast President Obama and the recent nuclear deal with Iran alongside Sarah Palin and Glenn Beck. During his intro, Trump came out to R.E.M.'s 1987 hit "It's the End of the World as We Know It (And I Feel Fine),"
Submitted by: Trump = World Leader Pretend, and a Lousy One Too
Everything I wrote about wasn't about me, but about the people listening.
Submitted by: RIP Duckwalker King
I owe Chuck Berry my career.
Submitted by: I Got Stoned at Ohio State University Twice!
DAVID GILMOUR: No one can replace Richard Wright. He was my musical partner and my friend. In the welter of arguments about who or what was Pink Floyd, Rick's enormous input was frequently forgotten. "He was gentle, unassuming and private but his soulful voice and playing were vital, magical components of our most recognised Pink Floyd sound. "I have never played with anyone quite like him. The blend of his and my voices and our musical telepathy reached their first major flowering in 1971 on 'Echoes'. In my view all the greatest PF moments are the ones where he is in full flow. After all, without 'Us and Them' and 'The Great Gig In The Sky', both of which he wrote, what would 'The Dark Side Of The Moon' have been? Without his quiet touch the Album 'Wish You Were Here' would not quite have worked. "In our middle years, for many reasons he lost his way for a while, but in the early Nineties, with 'The Division Bell', his vitality, spark and humour returned to him and then the audience reaction to his appearances on my tour in 2006 was hugely uplifting and it's a mark of his modesty that those standing ovations came as a huge surprise to him, (though not to the rest of us). "Like Rick, I don't find it easy to express my feelings in words, but I loved him and will miss him enormously." ROGER WATERS: "I was very sad to hear of Rick’s premature death yesterday, I knew he had been ill, but the end came suddenly and shockingly. My thoughts are with his family, particularly Jamie and Gala and their mum Juliette, who I knew very well in the old days, and always liked very much and greatly admired. As for the man and his work, it is hard to overstate the importance of his musical voice in the Pink Floyd of the 60's & 70's. The intriguing, jazz influenced, modulations and voicings so familiar in Us & Them and Great Gig In The Sky, which lent those compositions both their extraordinary humanity and their majesty, are omnipresent in all the collaborative work the four of us did in those times. Rick's ear for harmonic progression was our bedrock. I am very grateful for the opportunity that Live 8 afforded me to engage with him, & David & Nick that one last time. I wish there had been more." Remembering Rick, by NICK MASON: "Losing Rick is like losing a family member – in a fairly dysfunctional family. He's been in my life for 45 years, longer than my children and longer than my wife. It brings one's own mortality closer. I'll remember Rick with great affection. He was absolutely the non-contentious member of the band and probably suffered for it. I wouldn't say he was easy-going, but he certainly never pushed to any aggravation. It made life a lot easier. "I first met Rick at the Regent Street College of Architecture. And I think Rick was always pretty much that same character I met in 1962. Rock'n'roll is a Peter Pan existence; no one ever grows up. Over a period, we gravitated towards the people who were less interested in architecture and more in going to the pictures and making music. The band happened a couple of years later. We all had very different ways of working. He always knew what he wanted to do and had a unique approach to playing. I saw an interview he did on TV, and he said it clearly: "Technique is so secondary to ideas." Roger [Waters] said the more technique you have, the more you can copy. Despite having some training, Rick found his own way. "To some extent, I think, the recognition for what he did in the band was a bit light. He was a writer as well as a keyboard player, and he sang. The keyboard in particular creates the sound of a band. By definition, in a rock'n'roll band people remember the guitar solo, the lead vocal or the lyric content. But a lot of people listen to our music in a different way. The way Rick floats the keyboard through the music is an integral part of what people recognise as Pink Floyd. He wrote "The Great Gig in the Sky" and the music for "Us and Them". "We were a very close-knit band and one always has the memory of that. We spent a lot of time together between 1967 and the mid-1970s. Rick was a very gentle soul. My image of Rick would be him sitting at the keyboard playing when all the fireworks were going on around him. That's the main quality one remembers, in a band where Roger and David [Gilmour] were more strident about what they believed should be done. "If there's something that feels like a legacy, it's Live 8 [July 2005, Hyde Park] and the fact that we did surmount any disagreements and managed to play together. It was the greatest occasion".
Submitted by: Pink Crane 1990
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